نوع مقاله : مقاله پژوهشی
نویسندگان
1 دانش آموخته دکترى فلسفه هنر دانشگاه آزاد اسلامى واحد تهران شمال
2 دانشیار و عضو هیأت علمى دانشگاه آزاد اسلامى واحد تهران شمال
3 دانشیار وعضو هیأت علمى دانشگاه هنر اصفهان
چکیده
کلیدواژه‌ها
عنوان مقاله [English]
نویسندگان [English]
Interpretation is one of the cognitive modalities including visual text. This method has long been used in Islamic wisdom and art. Interpretation is the language of ges tures and worship and revealing the principle and how it is unders tood. Exploring the nature of unders tanding and explaining the conditions for its attainment and enumerating the factors influencing the research. Meaning reading has different perspectives and approaches, periphras tic is the knowledge to open the horizons of meaning and to obtain the rules of interpretation, and is a way to avoid misunders tanding, but it differs from concepts such as interpretation, interpretation, explanation, and so on Since ancient times, this method has been used unconsciously in various communities. The fundamental ques tion in this research is whether such a method can be applied phenomenologically to the cognitive image of prayer. To answer this ques tion, among the pictorial books of Shahnameh Baysneghari, Kalilah Vednah, Khamseh Nezami, Khavarannameh, Haft Aurang Jami, Al-Bian Hafez, Saadi Bus tan, Logik al-Tayr Attar and Goles tan Saadi, Mir Heydar’s Book of Miracles Has been chosen and selected because it uses all the elements of interpretation from color to text in this book. The book, which is preserved in the National Library of Paris by poet and letter writer Mir Haidar, has been translated into Turkish by Shahrokh Timur, in Arabic, in the year AH, and has been translated by the Heratian owner into the Uyghur script. The “Prayer” iconography, which is the firs t image-book of Mir Haider’s As trology, is a narrative of a s tory out of objective reality that can be evaluated as an interpretation by the author.The prayer image depicted by Prophet Mohammad (PBUH) along with six other prophets in the Ascension Night is based on a particular process based on the data theory of its interpretation. The purpose of this research is to find meanings behind the elements and images in this image and to read through the phenomenological approach and to read the meaning beyond the quantitative variables such as the seven prophets, the seven lamps, the color of their gems tones, and the way the prophets went forward. The citation of the documentary s tatements and the visual text reveal its concepts and meanings on the basis of the philosophy that governs its origin. The results of this s tudy, taken from a doctoral dissertation, show that The meaningful tools in the paintings include the five components of picture s tructure, color, numbers, eternal image, and written text. Each of them in the painting requires aris tocratic knowledge of religious culture. Miratheir’s painting is one of the hierarchical s tructures that not only illuminates the primacy and time when it also reveals the synoptic conceptualization of meaning as well as the unity in the purpose of the prophets.
کلیدواژه‌ها [English]
)
