عنوان مقاله [English]
Street photography is one of the most popular genres of artistic and professional photography and deals mainly with urban events and citizenship in the streets. All aspects of social life in urban public spaces can be the subject of street photos. People, markets, streets, squares, neighborhoods, parks, urban gatherings, large and small gatherings, urban elements, professions and public works, street arts, national games and entertainment, children and young and old, etc. Various themes ranging from historical recordings, political and social criticism, reflection of urban dilemmas, philosophical worldviews, anthropology, and so on to popular imagery and humor and humor in street photography.Street photography, as an integral part of the art of contemporary photography, sets the scene of people’s everyday lives as their main subject and borrows its main theme from modern life.The main purpose of street photography is to portray everything that happens on the street, not to cover a single incident. Against people who sometimes convey humorous or humorous political or social messages that approach documentary photography in such circumstances. The tendency to study the city and the street in academic and cultural communities is an important and controversial subject, and photo is an important resource for researchers. Street photography and strolling in the street have also become one of the most important and popular topics in cyberspace. This article attempts to explore a genre of photography that has received so much attention in exhibitions, books and dissertations in Iran so far. We’ve got a little bit of a proprietary feel to it, and we’re going to explore this genre separately. This article aims to study street photography in Iran and study the development and development of street photography in Iran as well as the features of this genre in the works of Iranian photographers and considers the importance of recording events and events. The field of photography has been dealt with by various institutions associated with photographers and photographers. Due to the scarcity of resources on the development of street photography in Iran, this article is based on photographs and collections from the personal archive of photographers and online resources. The research method is a combination of analytical and comparative methods, in which data were collected by means of survey, online scientific resources and the study of different books to arrive at the conclusion of the reasons and reasons of the work of photographers. Discussion and finally answer questions. The present study, with all its shortcomings and weaknesses, tries to compile the historical course of street photography in Iran from 1991 to 2016, citing the existing examples and then examining and analyzing the street photographs in the historical period. The result is that in recent years, in addition to diminishing the role and support of government agencies, we have seen an increase in the number of photographers working on city and street issues, and on the other, a variety of approaches and approaches. A look at street photography and a reduction in the concentration of street photography in Tehran are also other results.