Rahpooye Honar-Ha-Ye Tajassomi

Rahpooye Honar-Ha-Ye Tajassomi

The Sociological Functions of Myth in Modern Media From the Perspective of Claude Lévi-Strauss’s Binary Structure

Document Type : Original Article

Authors
1 PhD in Art Research, Faculty of Arts, Shahed University, Tehran, Iran
2 Associate Professor, Department of Visual Communication, Faculty of Arts, Shahed University, Tehran, Iran
3 Assistant Professor, Department of Visual Communication, Faculty of Arts, Shahed University, Tehran, Iran
Abstract
Media provide possibilities for communication and interaction based on their specific characteristics and capabilities. The emergence of the electronic revolution led to the widespread use of computers in various areas of life and transformed the ways in which the arts are presented. The computer, as a tool at the service of the arts, introduced a new transformation in the history of art. By integrating different artistic media in their works, the artist benefits from the expressive capacities of multiple media, and the audience is also given the possibility to influence and participate in shaping the space. In this context, media serve as an important element in the cultural and social system of signs for myth-making. Today, the media are responsible for disseminating teachings and transmitting messages. Audiences of modern media can no longer believe in myths unquestioningly as in the past, yet they also cannot completely abandon them. Therefore, when mythic symbols are expressed through these media, they can become the most effective and efficient expressive structure for conveying enduring concepts. Myths, as stories of hereditary cultural and social values, play an important role in shaping the identity and beliefs of society. In modern media, these myths are renovated and rewritten in a variety of ways, such as in film, television, the Internet, and social media. Lévi-Strauss’s approach is based on a structural sociological analysis that emphasizes structuralist theories. This approach examines how social and cultural structures are formed and transformed, as well as their impact on individuals’ behaviors and beliefs. Therefore, using Lévi-Strauss’s perspective, one can explore the influence of myths in modern media and analyze their role in shaping social identity and beliefs. Such an analysis can contribute to a better understanding of the relationship between myths and modern media and their impact on contemporary societies. This research is theoretically fundamental and descriptive-analytical. Collecting the required information is done by documentary method, library studies, and computer scanning equipment. The analysis of the works has also been done qualitatively. The study cases of this research are 4 works from among new media, which are chosen in an improbable way. This means that according to the initial familiarity with the media and works, samples have been selected that are able to provide the desired information in this research in order to be effective in understanding the research problem. According to what was stated about the sociological function of myth from Levi-Strauss's perspective in this article and by examining 4 selected works with this approach, the questions raised in the research can be answered as follows:
1. Several factors are involved in the formation of the sociological function of myth in modern media. Some of these factors are:
- Technology and new media: The advancement of technology and the expansion of new media have provided the possibility of easy access to legendary content. This has increased the influence and recognition of myths in modern society.
- Social and cultural changes: Changes in social and cultural structures have created the need to rewrite and reconstruct myths to adapt to new conditions. These changes can play a big role in shaping the sociological function of myth in modern media.
- Need for identity and cultural values: societies always need to provide identity and cultural values. Myths play an important role in modern media as a main source for providing these needs.
- The role of content creators: Content creators such as writers, directors, and producers, by choosing and rewriting myths in modern media, can have a great impact on the formation of the sociological function of myths.
2. According to Levi-Strauss, myths play an important role in providing the identity and cultural values of the society and act as a cognitive and social symbol. In modern media, myths are used as a main source for social and cultural communication. These myths can act as a common language between different people in society and increase solidarity and social interactions.
Consequently, myths in modern media can serve as a means of fulfilling the identity needs and cultural values of society. Rewriting and reconstructing myths in the form of new media can help strengthen individual and collective identity and strengthen social connections. Therefore, according to Levi-Strauss' opinion, myths in modern media play an important role in forming and strengthening the identity and cultural values of the society and act as a main source for meeting the needs of the society for identity and cultural values.
Keywords

Amini Lari, Leila and Mahmoudi, Khairollah (2019), The Encrypting of the Phoenix Legend: “Transition from Myth to Mysticism”, Quarterly Journal of Interpretation and Analysis of Persian Language and Literature Texts (Dehkhoda), 12(43), 223- 244. DOI: 10.30495/dk.2020.672396
Angurani, Shiva (2009), A Sociological Study of the Role of Primitivism and Myth in Modern Art (Based on the Opinions of Emile Durkheim and Joseph Campbell), Master’s Thesis in Art Research, Supervisor: Sirous Yeganeh, University of Arts.
Birel, Ann (2005). Chinese Myths, from the Myths of Nations Collection, translated by Abbas Mokhbar, Tehran, Markaz Publishing House.
Hajati, Somayeh (2015), Functionalist Explanation of Myth in the Modern Age, Collection of Articles of the Tenth International Conference on the Promotion of Persian Language and Literature, University of Mohaghegh Ardabili.
Khademi, Alireza (1994), Myth and Social Reality, Fiction Literature, 3(33), 30-31.
Khadivar, Hadi and Hatami, Hadi (2011), A Look at the Phoenix in Iranian Literature with an Analysis of the Story of the Phoenix by Sylvia Tanzd Warner, Literary Criticism and Stylistics Studies, No. 1, 29-45.
Zabihi, Rahman and Peykani, Parvin (2017), Analysis of the Structure of the Myth of "Gyumard" Based on Levi-Strauss's Theory, Persian Language and Literature Research Quarterly, No. 47, 27-50.
Rezaei Ardalani, Fazlollah (1992), Comparative Analysis of the Role of Simorgh in Iranian Mythology with the Role of Eagle and Phoenix in the Mythology of Other Ancient Civilizations, Kohnnameh of Persian Literature, Institute for Humanities and Cultural Studies, Year 13, No. 2, 113-128.
DOI: 10.30465/CPL.2023.6838
Royan, Samira and Yarali, Marzieh (2013), An Essay on the Form and Content of Social-Critical Painting in the 1990s in Iran, Rahpoiyeh Visual Arts Journal, 6 (4), 27-37. DOI: 10.22034/ ​​ra.2024.2001039.1336
Saadatfar, Hojjatollah (2013), The Structure of Dual Opposites in the Coexistence of the Image of a Man and a Woman in Edgar Degas's Works, Theoretical Foundations of Visual Arts, No. 13, 30-41. DOI:10.22051/jtpva.2021.35072.1285
Saadati, Raha; Hesami Kermani, Mansour and Mousavilar, Ashraf Al-Sadat (1400), Analysis of Dual Contrasts in the Varni Structure of Shahsuan Nomads of the Moghan Plain (Case Study: Zizandazha). Journal of Theoretical Foundations of Visual Arts, No. 12, 116-127.
DOI: 10.22051/ JTPVA.2021.37103.1326
Sharifi, Karman; Sattari, Mohammad and Namwar Motlaq, Bahman (1402), Factors explaining the concept of the myth of the photograph, Rahpooyeh Visual Arts Journal, 6(4), 75- 84. DOI: 10.22034/ ​​ra.2024.2011749.1396
Salehi, Shahvali (1396), Sociological Critique of Mythology of the Stories of the Holy Quran, Master's Thesis in Social Studies, Supervisor: Fazel Hosami, Institute of Higher Education in Humanities, Al-Mustafa Al-Alamiyah University.
Taifi, Shirzad and Mohebbi, Abolfazl (2017), Analysis of the Myth of Kiyomars in the Shahnameh from the Perspective of Levi-Strauss' Mythological Structuralism, Persian Literature Textual Quarterly, 54(4), 71-84.
Ghorbanejad Zavardehi, Mahdieh and Hashemi, Mohammad (2011), Sociological Functions of Myth in Contemporary Iranian Painting with a Focus on Claude-Strauss's Views, Rahpooyeh Visual Arts Journal, 4(3), 5-13. DOI: 10.22034/RA.2021.527923.1041
Levi-Strauss, Claude (2001), Myth and Modern Thought, translated by Fazel Larijani and Ali Jahan Poulad, Tehran: Farzan Rooz Publishing and Research.
Sabzevari, Shamim (2011). A Look at the Mythical Minotaurs in the Works of Bahman Mohasses, https://darz.art/fa/magazine/minotaur-man-trapped-in-the-labyrinth-of-the-mind/124, 20/2/1403.
G. Ronald Murphy S.J (2013). Tree of Salvation: Yggdrasil and the Cross in the North, publisher: Oxford University Press.
Levi-Strass, Claude (1972). The Structural Study of Myth, Myth: A Symposium, Thomas A. Sebeok (ed.), Bloomington, Indiana University Press.
Experience Centre Royal Jelling, (2015). Kongernes Jelling – Home of The Viking Kings,https: //jelling_projekt, 2024/4
K. Danse Company (2014). Monster, https://metabody.eu/monster, 2024/4
Zhang Yinan (2014). Avatar, https://en.chinaculture.org. , 4/2024 
- (2016). Phoenix in stone, https://www.youtube.com/watch?v=FdHKOHNfBaE&t=512s, 2024/4
Volume 8, Issue 3
Autumn 2025
Pages 79-90

  • Receive Date 21 June 2024
  • Revise Date 10 September 2024
  • Accept Date 14 April 2025