A significant part of the visual arts of prehistoric peoples is illustrated. This type of visual arts in prehistoric Iran is also considered a significant art.Studying the existing images, as documents left by the prehistoric people of Iran, will provide in-depth information.In addition to recognizing a part of the history of visual arts in this land, this information provides a reading of many cultural-human and artistic phenomena.Among them, we should mention the various ritual-belief phenomena illustrated in that culture, the implicit study of which provides the basis for the genealogy of cultural and artistic phenomena of the present and the future.A significant part of prehistoric painting in Iran is performing ritual human movements that will provide more accurate recognition of overlapping phenomena such as symbolic rhythmic movements with samaacheh and the reproduction of other movement and dramatic arts.This study, while studying a part of the study history of visual arts in Iran, tries to read and decipher the remaining images of symbolic rhythmic ritual movements in prehistory in this land, in order to recognize and introduce the dance called Samaacheh as a descendant of the performing arts in Iran.The main concern of this research, while reading the neglected cultural and ritual parts of the rhythmic-symbolic movements in the past of Iran, is a good genealogy of the performing arts in Iran. The result of this reading will make it clear that dancing with samaacheh, one of the ritual-social dances, will get a suitable interpretation for the descent of the performing arts in Iran.Among the rhythmic movements painted on the vessels and tools left from that time, different rhythmic movements can be identified and are more characteristic than other dance motifs, which can be divided into a group called “Samaacha dance” today.The results of scientific and symbolic studies indicate that this dance is a type of this art among the prehistoric people of Iran, which with the support of their intellectual-doctrinal foundations and worldview, in a symbolic-religious and functionalist way, a large part of It has covered their collectivist beliefs and rituals.Samaacha dance is known as a symbolic ritual movement that has the capacity to become a ritual art in its essence. The symbolic appearance of this mixed-religious art and the ontological knowledge of this phenomenon, reveals that by using this capacity in its essence, it can organize the advanced and other systematized mixed arts and movement in a way that can be considered a suitable origin for arts of the same shape and structure as their own, performances and dance_shows.By studying the discovered works left in Iran and carefully examining the designs on them, it is clear that 5 of those works, which are also considered as works of art today, the designs on them clearly illustrate a kind of Shows a dance that is directly related to the so-called “dance with samaacha”. The first document of this type of dance in Iran is more than seven thousand years old. The place of discovery of this pottery is “Tel Jerry hill”.