Rahpooye Honar-Ha-Ye Tajassomi

Rahpooye Honar-Ha-Ye Tajassomi

Number of Volumes 9
Number of Issues 30
Number of Articles 233
Number of Contributors 368
Article View 678,804
PDF Download 481,924
View Per Article 2913.32
PDF Download Per Article 2068.34
Number of Submissions 694
Acceptance Rate 26
Time to Accept (Days) 275
Number of Indexing Databases 12
Number of Reviewers 103

According to license number 19925 dated 1 May 2023 issued by the General Press Department of the Ministry of Culture and Islamic Guidance, the previous title of the publication "Rahpooye Honar/Honar-Ha-Ye Tajassomi" was modified to the new title "Rahpooye Honar-Ha-Ye Tajassomi".


Journal of Rahpooye Honar-Ha-Ye Tajassomi is an open-access, double-blind, peer-reviewed publication published by Soore University concerned with new concepts and innovative technologies in the field of visual arts. Rahpooye Honar-Ha-Ye Tajassomi is a quarterly publication, which publishes original research papers related to journal scope. This journal follows the Committee on Publication Ethics (COPE) and complies with the highest ethical standards by ethical laws. All submitted manuscripts are checked for similarity through Hamanandjoo (IRANDOC) software to ensure their authenticity to be assured about its originality and then rigorously peer-reviewed by expert reviewers.  (Read More...)


               


 

 

 

Current Issue: Volume 9, Issue 1, Spring 2026 

Keywords Cloud

  • Painting
  • Iranian painting
  • Semiotics
  • design
  • transtextuality
  • Iconology
  • Photography
  • art
  • calligraphy
  • myth
  • Iconography
  • hypertextuality
  • Qajar
  • persian painting
  • Adaptation
  • Miniature
  • symbol
  • Iranian Artists
  • intertextuality
  • Contemporary Art
  • Animation
  • Illumination
  • Metamorphosis
  • Islamic architecture
  • Gilbert Durand
  • Herat School
  • Rock Art
  • Gerard Genet
  • Design thinking
  • Industrial Design
  • Mural Painting
  • Complexity
  • Timurid period
  • Iranian contemporary painting
  • Design process
  • Roland Barthes
  • Contemporary Painting of Iran
  • Discourse
  • habitus
  • Shahnameh
  • Urban furniture
  • Ali Akbar Sadeghi
  • Imagination
  • Enghelab Street
  • Modernism
  • Taq-e Bostan
  • Michel Foucault
  • Iran
  • Lithograph
  • defamiliarization
  • Textile
  • Archetype
  • Kuhdasht
  • People with disabilities
  • Religion
  • Grotesque
  • Morphology
  • chaos
  • Pop Art
  • Parviz Tanavoli
  • Imposed war
  • Gerard Genette
  • Decisive Moment
  • power
  • John Szarkowski
  • Aesthetic Experience
  • creativity
  • Poem
  • Color
  • Traditional arts
  • Qajar Art
  • Mithraism
  • Street photography
  • Contemporary Iranian Painting
  • Plato
  • Visual Perception
  • Islamic art
  • Manga
  • Kufic
  • Surrealism
  • Sultan Mohammad
  • Cartier-Bresson
  • Pottery
  • Beauty
  • Ferdowsi\'s Shahnameh
  • User Interface Design
  • Islamic Revolution of Iran
  • Abulhassan Naghash-bashi
  • multiplicity of color
  • Fairclough
  • Agonism
  • Emad al-Kottab Shahnameh
  • Abdul Mo\'men ibn Mohammad Al-Naqash Al-Khoei
  • Art Globalization
  • Mughal period
  • inscription
  • Bakhtin
  • Peony
  • carpets
  • fractal dimension
  • handweaves
  • Mughals of India
  • Qoran
  • Cultural semiotics
  • Mythanalyse
  • Short Animation
  • Visual Signs
  • art of the book
  • Marvin Minsky
  • Modern Iranian Art
  • The narration of Ashura
  • Fereydun
  • St. Augustine
  • Shia thought and current
  • evolution documentry of education
  • Dionysian matter
  • Merleau-Ponty
  • Ico-nic Photograph
  • exhibition director
  • stylistics
  • Royal Jewelry
  • Contemporary Iranian Painters
  • Siah Qalam
  • Saqinameh
  • Louis Wain
  • Yaqzah
  • Collective Unconscious
  • Varqa and Golshah
  • mural
  • \"Zodiacs\"
  • Isfahan
  • Hero’s Journey
  • pakistani contemporary art
  • Packaging
  • The myth of Ayin
  • Sheikh Ahmad Jami collection
  • poetry
  • Exoticism
  • Trans- Semiotic
  • Neolithic Painting
  • Vije typeface
  • Common Fate
  • Ibn Arabi
  • Khamsah (Add ms 25900)
  • Coffee-house painting
  • Hamza-nama
  • Shahnameh Baisanghari
  • Gilles Deleuze
  • Mourning Cus toms
  • Zand Rug
  • Sasanian
  • Design-Driven Innovation
  • Souvenir Photography
  • Mary Ellen Mark
  • the Court of Kiomars
  • Seljuq period
  • Public Art
  • Iranian View-Point In Photography
  • Futures study of art
  • Neo_miniature
  • Semiology of the colour
  • Habib Mohammadi
  • Samacheh
  • Mescotan
  • Visual Structure of Emblems
  • Creative Industries
  • early photographs of the Qajar period
  • human motifs
  • Jerome Stolnitz
  • Volume
  • First Pahlavi
  • Historical
  • Shapur I
  • Dramatic Situations
  • Saqqakhaneh
  • Pictorial Representation
  • history
  • The Last Judgment
  • Simulation
  • process
  • Zandieh
  • hermeneutic horizon
  • Deccani Miniature Painting
  • pictogram
  • Jani Farangi-Saz
  • EStella Tse
  • scorpion symbol
  • Iran’s contemporary painting
  • Gestalt principles of visual perception
  • Divan Hafez
  • Difference
  • image and visual elements
  • Ismail Jalayer
  • Japanese painting
  • Master-Apprenticeship Approach
  • Hercules
  • Social History of Art
  • Ferya Stark
  • History of Persian Art
  • Sassanid art

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