Rahpooye Honar-Ha-Ye Tajassomi

Rahpooye Honar-Ha-Ye Tajassomi

Number of Volumes 8
Number of Issues 28
Number of Articles 229
Number of Contributors 362
Article View 612,336
PDF Download 427,592
View Per Article 2673.96
PDF Download Per Article 1867.21
Number of Submissions 650
Acceptance Rate 26
Time to Accept (Days) 272
Number of Indexing Databases 12
Number of Reviewers 93

According to license number 19925 dated 1 May 2023 issued by the General Press Department of the Ministry of Culture and Islamic Guidance, the previous title of the publication "Rahpooye Honar/Honar-Ha-Ye Tajassomi" was modified to the new title "Rahpooye Honar-Ha-Ye Tajassomi".


Journal of Rahpooye Honar-Ha-Ye Tajassomi is an open-access, double-blind, peer-reviewed publication published by Soore University concerned with new concepts and innovative technologies in the field of visual arts. Rahpooye Honar-Ha-Ye Tajassomi is a quarterly publication, which publishes original research papers related to journal scope. This journal follows the Committee on Publication Ethics (COPE) and complies with the highest ethical standards by ethical laws. All submitted manuscripts are checked for similarity through Hamanandjoo (IRANDOC) software to ensure their authenticity to be assured about its originality and then rigorously peer-reviewed by expert reviewers.  (Read More...)


               


 

 

 

Current Issue: Volume 8, Issue 3, Autumn 2025, Pages 1-110 

Keywords Cloud

  • Painting
  • Iranian painting
  • Semiotics
  • transtextuality
  • design
  • Iconology
  • Photography
  • Iconography
  • art
  • myth
  • calligraphy
  • hypertextuality
  • persian painting
  • Miniature
  • Adaptation
  • Industrial Design
  • Timurid period
  • Mural Painting
  • Islamic architecture
  • Herat School
  • intertextuality
  • Gilbert Durand
  • symbol
  • Metamorphosis
  • Contemporary Art
  • Gerard Genet
  • Design thinking
  • Animation
  • Illumination
  • Iranian Artists
  • Qajar
  • Complexity
  • Rock Art
  • Traditional arts
  • Roland Barthes
  • Poem
  • Color
  • Visual Perception
  • Gerard Genette
  • Religion
  • Iranian contemporary painting
  • Plato
  • Aesthetic Experience
  • Street photography
  • Urban furniture
  • People with disabilities
  • Imagination
  • Textile
  • chaos
  • Shahnameh
  • Islamic Revolution of Iran
  • defamiliarization
  • Contemporary Painting of Iran
  • Morphology
  • creativity
  • Ali Akbar Sadeghi
  • Enghelab Street
  • Parviz Tanavoli
  • Pottery
  • Lithograph
  • Qajar Art
  • Kufic
  • Sultan Mohammad
  • power
  • Pop Art
  • Surrealism
  • habitus
  • Manga
  • John Szarkowski
  • Islamic art
  • Iran
  • Contemporary Iranian Painting
  • Kuhdasht
  • Grotesque
  • Beauty
  • User Interface Design
  • Imposed war
  • Modernism
  • Taq-e Bostan
  • Design process
  • Cartier-Bresson
  • Decisive Moment
  • Archetype
  • Discourse
  • Mithraism
  • Michel Foucault
  • truth
  • Dialogue
  • Hadith
  • Rock
  • Bakhtin
  • Simulation
  • human
  • similarity
  • Culture
  • Kant
  • Mahmoud Farshchian
  • Location
  • Aesthetic
  • Gender
  • media
  • Reproduction
  • intertextual
  • Nezami
  • illustration
  • formalism
  • Phenomenology
  • Globalization
  • Victim
  • Duration
  • motif
  • Wisdom
  • Central Asia
  • meaning
  • history
  • episteme
  • conceptual metaphor
  • literature
  • Failure
  • Ritual
  • Mind
  • Expansion
  • aesthetics
  • Mirror
  • Baudrillard
  • Poststructuralism
  • pattern
  • virtual reality
  • Orientalism
  • Naser al-Din Shah
  • The Republic
  • Valerian
  • Ambiguity
  • nature
  • traditionalism
  • Christianity
  • Geometry
  • visual elements
  • Sardari
  • Yazd
  • Sassanid Empire
  • ecology
  • concepts
  • Safavid Era
  • Ancient Iran
  • Mythology
  • Typology
  • Iranian art
  • Critical Discourse Analysis
  • education
  • Modernity
  • field
  • Foucault
  • ecosystem
  • Islamic awakening
  • Erwin Panofsky
  • Analysis
  • Difference
  • process
  • continuity
  • Sense of Presence
  • Ibn Arabi
  • Qoran
  • Wicked problems
  • quality of education
  • Architect
  • subjectivism
  • environmental design
  • public spaces
  • Packaging
  • Perfection
  • Iranian identity
  • tradition
  • Fath Ali Shah
  • ideology
  • Design Concepts
  • Agonism
  • Walter Benjamin
  • Imam Ali (AS)
  • Isfahan
  • Handicrafts
  • Merleau-Ponty
  • Woman
  • Ilkhanid era
  • Safavid art
  • Iranian mythology
  • Individuation
  • Sharia Law
  • Minister
  • Creative Industries
  • practical mysticism
  • Jean Baudrillard
  • Rene Girard
  • Persian Miniature
  • General
  • elementary school
  • visual anthropology
  • mourning
  • Antagonism
  • Buddhism