Rahpooye Honar-Ha-Ye Tajassomi

Rahpooye Honar-Ha-Ye Tajassomi

Number of Volumes 9
Number of Issues 31
Number of Articles 233
Number of Contributors 368
Article View 692,731
PDF Download 491,690
View Per Article 2973.09
PDF Download Per Article 2110.26
Number of Submissions 705
Acceptance Rate 26
Time to Accept (Days) 275
Number of Indexing Databases 12
Number of Reviewers 103

According to license number 19925 dated 1 May 2023 issued by the General Press Department of the Ministry of Culture and Islamic Guidance, the previous title of the publication "Rahpooye Honar/Honar-Ha-Ye Tajassomi" was modified to the new title "Rahpooye Honar-Ha-Ye Tajassomi".


Journal of Rahpooye Honar-Ha-Ye Tajassomi is an open-access, double-blind, peer-reviewed publication published by Soore University concerned with new concepts and innovative technologies in the field of visual arts. Rahpooye Honar-Ha-Ye Tajassomi is a quarterly publication, which publishes original research papers related to journal scope. This journal follows the Committee on Publication Ethics (COPE) and complies with the highest ethical standards by ethical laws. All submitted manuscripts are checked for similarity through Hamanandjoo (IRANDOC) software to ensure their authenticity to be assured about its originality and then rigorously peer-reviewed by expert reviewers.  (Read More...)


               


 

 

 

Current Issue: Volume 9, Issue 2, Summer 2026 

Keywords Cloud

  • Painting
  • Iranian painting
  • Semiotics
  • transtextuality
  • Iconology
  • Photography
  • design
  • art
  • Iconography
  • myth
  • calligraphy
  • persian painting
  • hypertextuality
  • Miniature
  • Adaptation
  • Qajar
  • Complexity
  • symbol
  • Illumination
  • Metamorphosis
  • Iranian Artists
  • Islamic architecture
  • Industrial Design
  • Gilbert Durand
  • Herat School
  • intertextuality
  • Design thinking
  • Gerard Genet
  • Rock Art
  • Timurid period
  • Mural Painting
  • Animation
  • Contemporary Art
  • Design process
  • Kuhdasht
  • Roland Barthes
  • Contemporary Painting of Iran
  • Imagination
  • Ali Akbar Sadeghi
  • Iranian contemporary painting
  • Urban furniture
  • Shahnameh
  • Modernism
  • Enghelab Street
  • Taq-e Bostan
  • Lithograph
  • Beauty
  • Religion
  • habitus
  • defamiliarization
  • Textile
  • Archetype
  • People with disabilities
  • Discourse
  • Grotesque
  • Morphology
  • chaos
  • Pop Art
  • Parviz Tanavoli
  • Imposed war
  • Gerard Genette
  • Decisive Moment
  • John Szarkowski
  • Aesthetic Experience
  • creativity
  • Poem
  • Mithraism
  • power
  • Color
  • Traditional arts
  • Qajar Art
  • Plato
  • Street photography
  • Contemporary Iranian Painting
  • Manga
  • Visual Perception
  • Islamic art
  • Kufic
  • Pottery
  • Surrealism
  • Sultan Mohammad
  • Cartier-Bresson
  • Ferdowsi\'s Shahnameh
  • Iran
  • User Interface Design
  • Michel Foucault
  • Islamic Revolution of Iran
  • multiplicity of color
  • Abulhassan Naghash-bashi
  • Fairclough
  • Agonism
  • Emad al-Kottab Shahnameh
  • Abdul Mo\'men ibn Mohammad Al-Naqash Al-Khoei
  • ideology
  • Mughal period
  • inscription
  • Bakhtin
  • Peony
  • carpets
  • ade
  • Art Globalization
  • Mehran Saber
  • art of the book
  • Marvin Minsky
  • Mythanalyse
  • fractal dimension
  • Visual Signs
  • Qoran
  • Cultural semiotics
  • Modern Iranian Art
  • The narration of Ashura
  • Fereydun
  • St. Augustine
  • Collective Unconscious
  • evolution documentry of education
  • Dionysian matter
  • Merleau-Ponty
  • Ico-nic Photograph
  • exhibition director
  • Short Animation
  • Royal Jewelry
  • Contemporary Iranian Painters
  • Siah Qalam
  • Saqinameh
  • Louis Wain
  • Yaqzah
  • handweaves
  • Shia thought and current
  • Varqa and Golshah
  • mural
  • \"Zodiacs\"
  • Isfahan
  • Hero’s Journey
  • stylistics
  • Packaging
  • The myth of Ayin
  • Sheikh Ahmad Jami collection
  • poetry
  • image and visual elements
  • Exoticism
  • Trans- Semiotic
  • pakistani contemporary art
  • Mughals of India
  • tile painting
  • Khamsah (Add ms 25900)
  • Coffee-house painting
  • Hamza-nama
  • Shahnameh Baisanghari
  • Gilles Deleuze
  • Mourning Cus toms
  • Neolithic Painting
  • Sasanian
  • process
  • Souvenir Photography
  • Design-Driven Innovation
  • the Court of Kiomars
  • Seljuq period
  • Zand Rug
  • Perception Theory
  • Futures study of art
  • Neo_miniature
  • Semiology of the colour
  • Habib Mohammadi
  • Samacheh
  • Mescotan
  • Visual Structure of Emblems
  • Creative Industries
  • Public Art
  • Jerome Stolnitz
  • Volume
  • First Pahlavi
  • Historical
  • Shapur I
  • Dramatic Situations
  • Saqqakhaneh
  • Pictorial Representation
  • Mary Ellen Mark
  • The Last Judgment
  • human motifs
  • history
  • Zandieh
  • hermeneutic horizon
  • Deccani Miniature Painting
  • EStella Tse
  • pictogram
  • Jani Farangi-Saz
  • scorpion symbol
  • Gestalt principles of visual perception
  • Iran’s contemporary painting
  • Divan Hafez
  • Simulation
  • Difference
  • Ismail Jalayer
  • Japanese painting
  • Master-Apprenticeship Approach
  • Hercules
  • Social History of Art
  • Ferya Stark
  • Modern educational
  • Sassanid art

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