Rahpooye Honar-Ha-Ye Tajassomi

Rahpooye Honar-Ha-Ye Tajassomi

Number of Volumes 9
Number of Issues 31
Number of Articles 233
Number of Contributors 368
Article View 698,469
PDF Download 495,113
View Per Article 2997.72
PDF Download Per Article 2124.95
Number of Submissions 706
Acceptance Rate 25
Time to Accept (Days) 275
Number of Indexing Databases 12
Number of Reviewers 105

According to license number 19925 dated 1 May 2023 issued by the General Press Department of the Ministry of Culture and Islamic Guidance, the previous title of the publication "Rahpooye Honar/Honar-Ha-Ye Tajassomi" was modified to the new title "Rahpooye Honar-Ha-Ye Tajassomi".


Journal of Rahpooye Honar-Ha-Ye Tajassomi is an open-access, double-blind, peer-reviewed publication published by Soore University concerned with new concepts and innovative technologies in the field of visual arts. Rahpooye Honar-Ha-Ye Tajassomi is a quarterly publication, which publishes original research papers related to journal scope. This journal follows the Committee on Publication Ethics (COPE) and complies with the highest ethical standards by ethical laws. All submitted manuscripts are checked for similarity through Hamanandjoo (IRANDOC) software to ensure their authenticity to be assured about its originality and then rigorously peer-reviewed by expert reviewers.  (Read More...)


               


 

 

 

Current Issue: Volume 9, Issue 2, Summer 2026 

Keywords Cloud

  • Painting
  • Iranian painting
  • Semiotics
  • transtextuality
  • Photography
  • Iconology
  • design
  • myth
  • art
  • calligraphy
  • Iconography
  • hypertextuality
  • persian painting
  • Miniature
  • Adaptation
  • Qajar
  • Gerard Genet
  • symbol
  • intertextuality
  • Herat School
  • Metamorphosis
  • Illumination
  • Islamic architecture
  • Timurid period
  • Gilbert Durand
  • Contemporary Art
  • Complexity
  • Rock Art
  • Animation
  • Industrial Design
  • Iranian Artists
  • Design thinking
  • Mural Painting
  • Iranian contemporary painting
  • Design process
  • Roland Barthes
  • Contemporary Painting of Iran
  • Ferdowsi\'s Shahnameh
  • Manga
  • Shahnameh
  • Urban furniture
  • Ali Akbar Sadeghi
  • Imagination
  • Contemporary Iranian Painting
  • Morphology
  • Visual Perception
  • Michel Foucault
  • Cartier-Bresson
  • habitus
  • Surrealism
  • Discourse
  • People with disabilities
  • Kuhdasht
  • Textile
  • Religion
  • Taq-e Bostan
  • Islamic art
  • Gerard Genette
  • Street photography
  • Imposed war
  • Parviz Tanavoli
  • Enghelab Street
  • Decisive Moment
  • power
  • John Szarkowski
  • Aesthetic Experience
  • creativity
  • Poem
  • Color
  • Traditional arts
  • Mithraism
  • Plato
  • Kufic
  • Pop Art
  • Modernism
  • chaos
  • Pottery
  • Grotesque
  • Qajar Art
  • User Interface Design
  • Lithograph
  • defamiliarization
  • Iran
  • Beauty
  • Islamic Revolution of Iran
  • Sultan Mohammad
  • Archetype
  • Agonism
  • multiplicity of color
  • Fairclough
  • Abulhassan Naghash-bashi
  • Emad al-Kottab Shahnameh
  • Abdul Mo\'men ibn Mohammad Al-Naqash Al-Khoei
  • ideology
  • Mughal period
  • inscription
  • Bakhtin
  • Peony
  • Fereydun
  • carpets
  • ade
  • Art Globalization
  • Qoran
  • Marvin Minsky
  • Mythanalyse
  • Short Animation
  • Visual Signs
  • art of the book
  • Cultural semiotics
  • Modern Iranian Art
  • The narration of Ashura
  • Shia thought and current
  • St. Augustine
  • exhibition director
  • evolution documentry of education
  • Dionysian matter
  • Merleau-Ponty
  • Ico-nic Photograph
  • fractal dimension
  • Royal Jewelry
  • handweaves
  • Contemporary Iranian Painters
  • Siah Qalam
  • Saqinameh
  • Louis Wain
  • Yaqzah
  • Collective Unconscious
  • Varqa and Golshah
  • mural
  • \"Zodiacs\"
  • Isfahan
  • Hero’s Journey
  • stylistics
  • Packaging
  • The myth of Ayin
  • Sheikh Ahmad Jami collection
  • poetry
  • image and visual elements
  • Exoticism
  • Trans- Semiotic
  • pakistani contemporary art
  • Mughals of India
  • tile painting
  • Khamsah (Add ms 25900)
  • Coffee-house painting
  • Hamza-nama
  • Shahnameh Baisanghari
  • Gilles Deleuze
  • Mourning Cus toms
  • Neolithic Painting
  • Sasanian
  • Design-Driven Innovation
  • Souvenir Photography
  • Mary Ellen Mark
  • the Court of Kiomars
  • Seljuq period
  • Zand Rug
  • Iranian View-Point In Photography
  • Futures study of art
  • Neo_miniature
  • Semiology of the colour
  • Habib Mohammadi
  • Samacheh
  • Mescotan
  • Visual Structure of Emblems
  • Creative Industries
  • Public Art
  • human motifs
  • Volume
  • Jerome Stolnitz
  • First Pahlavi
  • Historical
  • Shapur I
  • Dramatic Situations
  • Saqqakhaneh
  • Pictorial Representation
  • history
  • The Last Judgment
  • process
  • Simulation
  • Zandieh
  • hermeneutic horizon
  • Deccani Miniature Painting
  • EStella Tse
  • Jani Farangi-Saz
  • pictogram
  • scorpion symbol
  • Gestalt principles of visual perception
  • Iran’s contemporary painting
  • Divan Hafez
  • Difference
  • Sassanid art
  • Ismail Jalayer
  • Japanese painting
  • Master-Apprenticeship Approach
  • Hercules
  • Social History of Art
  • Ferya Stark
  • History of Persian Art
  • Lucy Lipard

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