Rahpooye Honar-Ha-Ye Tajassomi

Rahpooye Honar-Ha-Ye Tajassomi

Number of Volumes 9
Number of Issues 30
Number of Articles 233
Number of Contributors 368
Article View 670,899
PDF Download 474,341
View Per Article 2879.39
PDF Download Per Article 2035.8
Number of Submissions 688
Acceptance Rate 26
Time to Accept (Days) 275
Number of Indexing Databases 12
Number of Reviewers 103

According to license number 19925 dated 1 May 2023 issued by the General Press Department of the Ministry of Culture and Islamic Guidance, the previous title of the publication "Rahpooye Honar/Honar-Ha-Ye Tajassomi" was modified to the new title "Rahpooye Honar-Ha-Ye Tajassomi".


Journal of Rahpooye Honar-Ha-Ye Tajassomi is an open-access, double-blind, peer-reviewed publication published by Soore University concerned with new concepts and innovative technologies in the field of visual arts. Rahpooye Honar-Ha-Ye Tajassomi is a quarterly publication, which publishes original research papers related to journal scope. This journal follows the Committee on Publication Ethics (COPE) and complies with the highest ethical standards by ethical laws. All submitted manuscripts are checked for similarity through Hamanandjoo (IRANDOC) software to ensure their authenticity to be assured about its originality and then rigorously peer-reviewed by expert reviewers.  (Read More...)


               


 

 

 

Current Issue: Volume 9, Issue 1, Spring 2026 

Keywords Cloud

  • Painting
  • Iranian painting
  • Semiotics
  • Iconology
  • Photography
  • transtextuality
  • design
  • Iconography
  • art
  • calligraphy
  • myth
  • Qajar
  • persian painting
  • Miniature
  • Adaptation
  • hypertextuality
  • Gerard Genet
  • symbol
  • Gilbert Durand
  • Herat School
  • Iranian Artists
  • Rock Art
  • Islamic architecture
  • Timurid period
  • intertextuality
  • Metamorphosis
  • Complexity
  • Industrial Design
  • Contemporary Art
  • Illumination
  • Animation
  • Design thinking
  • Mural Painting
  • Design process
  • Color
  • Roland Barthes
  • Contemporary Painting of Iran
  • Discourse
  • Kufic
  • power
  • Traditional arts
  • Urban furniture
  • Shahnameh
  • Contemporary Iranian Painting
  • Morphology
  • Visual Perception
  • Michel Foucault
  • Cartier-Bresson
  • John Szarkowski
  • Surrealism
  • Qajar Art
  • People with disabilities
  • Kuhdasht
  • Textile
  • Religion
  • Taq-e Bostan
  • Islamic art
  • Gerard Genette
  • Street photography
  • Parviz Tanavoli
  • Ferdowsi\'s Shahnameh
  • Enghelab Street
  • creativity
  • Aesthetic Experience
  • Imagination
  • Iranian contemporary painting
  • Islamic Revolution of Iran
  • Mithraism
  • Ali Akbar Sadeghi
  • Decisive Moment
  • Poem
  • Imposed war
  • Manga
  • Pop Art
  • Modernism
  • chaos
  • User Interface Design
  • Grotesque
  • Pottery
  • Plato
  • Lithograph
  • defamiliarization
  • Iran
  • Beauty
  • habitus
  • Sultan Mohammad
  • Archetype
  • Abulhassan Naghash-bashi
  • multiplicity of color
  • Fairclough
  • Agonism
  • Emad al-Kottab Shahnameh
  • Abdul Mo\'men ibn Mohammad Al-Naqash Al-Khoei
  • Art Globalization
  • Mughal period
  • inscription
  • Bakhtin
  • Peony
  • carpets
  • fractal dimension
  • handweaves
  • Mughals of India
  • Qoran
  • Cultural semiotics
  • Mythanalyse
  • Short Animation
  • Visual Signs
  • art of the book
  • Marvin Minsky
  • The narration of Ashura
  • Modern Iranian Art
  • Fereydun
  • St. Augustine
  • Shia thought and current
  • evolution documentry of education
  • Dionysian matter
  • Merleau-Ponty
  • Ico-nic Photograph
  • exhibition director
  • stylistics
  • Royal Jewelry
  • Contemporary Iranian Painters
  • Siah Qalam
  • Saqinameh
  • Louis Wain
  • Yaqzah
  • Collective Unconscious
  • Varqa and Golshah
  • mural
  • \"Zodiacs\"
  • Isfahan
  • Hero’s Journey
  • Neolithic Painting
  • Packaging
  • The myth of Ayin
  • Sheikh Ahmad Jami collection
  • poetry
  • image and visual elements
  • Exoticism
  • Hamza-nama
  • pakistani contemporary art
  • Vije typeface
  • Common Fate
  • Khamsah (Add ms 25900)
  • Coffee-house painting
  • Trans- Semiotic
  • Shahnameh Baisanghari
  • Gilles Deleuze
  • Mourning Cus toms
  • Zand Rug
  • Sasanian
  • process
  • Seljuq period
  • Design-Driven Innovation
  • the Court of Kiomars
  • Souvenir Photography
  • Public Art
  • Perception Theory
  • Futures study of art
  • Neo_miniature
  • Semiology of the colour
  • Habib Mohammadi
  • Samacheh
  • Mescotan
  • Visual Structure of Emblems
  • Creative Industries
  • early photographs of the Qajar period
  • human motifs
  • Jerome Stolnitz
  • Volume
  • First Pahlavi
  • Historical
  • Shapur I
  • Dramatic Situations
  • Saqqakhaneh
  • Pictorial Representation
  • Mary Ellen Mark
  • The Last Judgment
  • history
  • Simulation
  • Zandieh
  • hermeneutic horizon
  • Deccani Miniature Painting
  • Jani Farangi-Saz
  • EStella Tse
  • pictogram
  • scorpion symbol
  • Gestalt principles of visual perception
  • Iran’s contemporary painting
  • Divan Hafez
  • Difference
  • Sassanid art
  • Ismail Jalayer
  • Japanese painting
  • Master-Apprenticeship Approach
  • Hercules
  • Social History of Art
  • Ferya Stark
  • Modern educational
  • Lucy Lipard

Related Journals